I watched Desert Fury (1947) last night and every interior space owned and occupied by Fritzi, played by Mary Astor, was wonderfully thought out and full of muted colors. The film suffers from that "this is a night scene obviously shot during the daytime" syndrome that most older films have, but the treatment of the interiors as soft and distant from the desert landscape was fascinating to see.
I watched Desert Fury (1947) last night and every interior space owned and occupied by Fritzi, played by Mary Astor, was wonderfully thought out and full of muted colors. The film suffers from that "this is a night scene obviously shot during the daytime" syndrome that most older films have, but the treatment of the interiors as soft and distant from the desert landscape was fascinating to see.
Will definitely have to watch!